Page 40 - Lienz Treasure Chest
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An oasis of tranquility. The garden of the Franciscan monastery.

   44  Franciscan monastery and   1480), the former retables by Ni-  The monastery’s church with the main altar by Jos Pirkner.
 Church of the Assumption of   kolaus Kenntner from Lienz (1440)
 Our Lady – Founded by Countess   with Saints Nicholas, Sebastian,   the Cross by Johann Georg Höttin-  first half of the 18th century. A look
 Euphemia of Gorizia-Tyrol and her   Helena, Ursula, Catherine, Barbara,   ger (1728). In the cloister, there are   through the cloister windows reve-
 sons as a Carmelite monastery.   John the Baptist and Margaret. Ab-  numerous panels showing scenes   als  a sculpture  of Saint  Francis  in
 The Carmelites cared for the Gorizi-  ove the “Legend of Leonhard”, the   from  the  lives  of  Carmelite  saints,   the garden. Above the entrance to
 an benefice at Schloss Bruck and,   “Trinity” was painted by Sebastian   prophets and the history of the   the former chapter house: a secco
 from the 18th century onwards, the   Gerumer in 1468. Fragments of fre-  order, alongside 34 Baroque por-  painting of the “seven liberal arts”
 Lienz garnison; in the second half   scos  showing  St George  (second   traits of order founders from the   from the 18th century.
 of the 18th century, they taught the   half of the 14th century), the Four-
 male pupils of Lienz. In the time of   teen Holy Helpers and a Passion
 Josephinism, the Carmelite monas-  cycle (around 1470) can be seen
 tery was disbanded in 1785 and gi-  under the gallery. In 1976, Jos Pirk-
 ven to the Franciscans.  ner designed the main altar in the
 form of a Gothic winged altar with
 The construction of the church   scenes relating to Mary, the Resur-
 was completed around 1369. The   rection and the Franciscan Order.
 main nave was renovated by the
 Gorizian construction society from   The  neo-Gothic  pulpit,  from
 1430 to 1440. From then, the con-  1876/77, was decorated with re-
 sistent late Gothic style has remai-  liefs of Franciscan saints by Karl
 ned unchanged to this day. The   Fuetsch. Particularly impactful is
 room is divided into five bays un-  the “Feldner cross”, surrounded by
 der  a  star-ribbed  vault.    Particular   many tales. It is almost 500 years
 standouts among the rich frescos   old and came to the convent via
 are the “Dance of Angels” around   many  detours.  The Gothic  pietà,
 the first keystone of the choir vault   created around 1400 and remade
 (around 1480), the “Coronation of   in the 19th century, was once re-
 Mary” by Sebastian Gerumer from   vered as a devotional image. The   The legendary “Feldner cross”,
           a.k.a. “Deferegger cross”.
 Lienz behind the main altar (around   paintings include the 14 Stations of

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